The previous section deals with inserting notes from another voice.
There is a more advanced music function called \cueDuring
,
which makes formatting cue notes easier.
The syntax is
\cueDuring #name #updown music
This will insert notes from the part name into a
Voice called cue
. This happens simultaneously
with music, which usually is a rest. When the cue notes start,
the staff in effect becomes polyphonic for a moment. The argument
updown determines whether the cue notes should be notated as a
first or second voice.
smaller = { \set fontSize = #-2 \override Stem #'length = #5.5 \override Beam #'thickness = #0.384 \override Beam #'space-function = #(lambda (beam mult) (* 0.8 (Beam::space_function beam mult))) } \addquote clarinet \relative { R1*20 r2 r8 c f f } \new Staff \relative << % setup a context for cue notes. \context Voice = cue { \smaller \skip 1*21 } \set Score.skipBars = ##t \new Voice { R1*20 \cueDuring #"clarinet" #1 { R1 } g4 g2. } >>
Here are a couple of hints for successful cue notes
any other changes introduced by the cued part should also be undone. For example, if the cued instrument plays in a different clef, the original clef should be stated once again.
This page is for LilyPond-2.6.3 (stable-branch).